Poem for Disappearing

Robin hidden behind berries
It has now been eighteen months since I retired from church leadership, and when I began that new chapter of my life I was not sure what to expect. I was surprised by experiencing an insistent pull toward quietude. I was surprised by how comfortable it felt to be “disappearing,” from a very public role as a minister.
This morning, I stumbled upon this poem by Naomi Shihab Nye.  Perhaps it jumped out at me because I had the privilege yesterday of attending a beautiful ordination ceremony for someone who is entering the start of their ministry.  Perhaps because, at that ceremony, I had a chance to see briefly many people who were in my former church community.  I still feel such tenderness and love for them.
But I don’t have regrets about the decision to retire. As Nye says so well, “It’s not that you don’t love them anymore. You’re trying to remember something too important to forget.” Sometimes I am baffled by this time and by how to decide what to do in it.  This poem speaks to that bafflement.

The Art of Disappearing

When they say Don’t I know you?
say no.

When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.

If they say We should get together
say why?

It’s not that you don’t love them anymore.
You’re trying to remember something
too important to forget.
Trees. The monastery bell at twilight.
Tell them you have a new project.
It will never be finished.

When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven’t seen in ten years
appears at the door,
don’t start singing him all your new songs.
You will never catch up.

Walk around feeling like a leaf.
Know you could tumble any second.
Then decide what to do with your time.

From Words Under the Words: Selected Poems by Naomi Shihab Nye, published by Far Corner Books, 1995.

East Frisian Ancient Grandmother

Holle_Sand_-_07

Holle Sand in East Frisia: a nature preserve on the duneland forest, near where my ancestors lived.

Are there any European ancestors who might help us to find a mutually beneficial relationship with the earth in our time? Today I was remembering that this was my original motivation for reaching back to these ancestors. Oh, it has also been helpful to gain a better understanding of how my ancestors fit into the larger story of the colonization of this continent in which I live.

But on a spiritual level, why would I reach for a true connection, if not to ask for help in the struggles we are facing in our time? Much of Australia is burning right now, fascism is running rampant over our country, hurting the plants and animals, and the people of our land, leaders plot for power and violence, and so much is being destroyed.

And I remembered what sparked my heart last spring about my patrilineal East Frisian ancestors. It was a line in a letter, a mocking recounting of a piece of old wives’ advice: “Remain in the land and nourish it.”   I wanted to reach out to those “old wives” to see if they might help me, help us.  During our Ancestor Wounds and Healing workshop in October, I introduced the group to the East Frisian tea ceremony, as part of our ritual of gratitude for the gifts of the ancestors.  We were short on time, and I considered leaving out the tea ceremony, but felt an unmistakable tug from spirit–“No! You must do the tea.”  And so I did.

Two days later I led our group on a trance journey with the intention for each of us to find an ancient ancestor–maybe from centuries ago–for each of us to meet someone who was at one with their land, in harmony with their land and people. So we traveled through time and out of time to make a connection. In that journey, I met my East Frisian ancient many-greats-grandmother, the same one who called for the tea.

When she arrives, I burst into tears and suddenly feel how wounded I am, we are. She is whole, she can traverse deep time and be called upon in any time. I burst into tears and she is loving me, with healing hands, and she knows how all of us have been broken. I felt the holding power of her love to contain the pain of centuries.  She is a healing presence, a witness to it all. She touches my heart, she says, “I can teach you how to laugh, even though the later Germans in your family lost how to feel.” She has a joy deeper than I know. She wants to continue our connection. She says, “Drink the tea ceremony to call me.”  

I was profoundly moved. I didn’t have a name for her that day, but later, a name came to me.  The German/Frisian affectionate name for grandma is Oma or Ooma. But a great-grandmother would be, in German, Ur-grossmutter and I am moved to call this ancient great-grandmother Ur-ma, or Oor-ma. The word also reminds me of the rune Uruz, which represents the aurochs, an ancient wild cattle species, now extinct, that was the symbol of wild strength, persistence, healing, and courage.

At the end of December, Margy and I shared in a rune reading. I used the runes to reach out to Ur-ma, and the first rune I pulled was Uruz.  Sweet.  Then came Nauthiz–which means Need, or difficulty, or struggle. How we are.  Finally I pulled Gebo, which means Gift, and the power of reciprocity which is love.

And so when I reach out to Ur-ma, I drink the tea and I pray: “You have wholeness, we are so broken. Bring your healing energies to our time. We have lost the connection to all beings and the land. We have forgotten our kinship. Help us heal. Help us to love the land, to love the spirit.” And I keep remembering those words, which somehow came down the centuries even so: “Remain in the land and nourish it.”

 

At Home

Picture by Arla Patch, James Francis

With these last few quiet days at home, Margy and I were finally (after almost four years) able to take down from the attic all of our wall pictures, and decide how we wanted to decorate the walls of our living room and kitchen. It was especially wonderful to place over our fireplace hearth this print, Stewardship of the Earth, by James E. Francis and Arla Patch. We had purchased it several years ago in a fundraiser for Maine Wabanaki REACH.  Here is more information about it from an article in the Friends Journal.

This work of art is a collaboration between James E. Francis, Penobscot artist and director of cultural and historic preservation for the Penobscot Nation, and Arla Patch, artist, teacher, and [at that time] member of the communications subcommittee of the Wabanaki Truth and Reconciliation Commission.

It was made for a western Maine community celebration of the native woman Molly Ockett (c. 1740–1816, Abenaki nation, Pequawket band). The theme of 2013’s MollyOckett Days Festival was “Stewardship of the Earth.” James created the central image of the tree that becomes the earth. Arla created the context based on the European American tradition of quilts. James provided the symbols, which represent the four remaining tribes in the Wabanaki Confederacy: the Penobscot, the Passamaquoddy, the Maliseet, and the Micmac.

A theme of the four directions, which comes from both Native American spirituality and ancient Celtic tradition, is depicted as the night sky for the north; the sun rising over “second island” next to the Passamaquoddy land of Sipayik; the midday sky for the south; and the sun setting over the White Mountains for the west. “Agiocochook” (home of the Great Spirit), also known as Mt. Washington, is included in the western sky.

Blueberries are included for the role they have played in sustaining Maine native peoples historically and to this day. Maple leaves are in the upper corners to honor the development of maple syrup by the Wabanaki.

When we put this picture on the wall, along with a few others around the room, I found myself feeling rooted and joyful, at home in a deeper way than before. It was as if some mysterious magic had created a circle around us, and we were aligning into harmony and beauty.

May that beauty bring us hope and strength as we enter a new decade, a decade that will be pivotal in our collective stewardship of the Earth. May we human beings find a way to live in harmony with all of our relatives on this planet that is our home.

Little Land Spirits

Sunrise after Solstice

Sunrise, the morning after Winter Solstice.

In Scandinavia, there is a Solstice Eve tradition to leave a bowl of porridge outside for the Nisse, the little land spirit person who helps out with the work on the farm and serves as a guardian to the family and the animals. According to what I learned, it was very important to put a pat of butter on top.  The Nisse can be troublesome if not properly respected.

There are little guardian spirit people traditions in many other places, too.  Scots and English call them Brownies, there is the German Kobold, and I have learned about Wabanaki little people called Wonakomehsisok who were said to be spirit helpers who lived among rocks. The Wolastoqiyik spoke of Kiwolatomuhsisok, who were said to help people secretly at night, and have a breath that smells like mold.

All that said, on Solstice Eve, I put out a bowl of porridge in the back yard, with a big pat of butter on top, (which by the way is how I like my own porridge) as an offering for any little land spirits on our land that might appreciate it.  Perhaps it might be one more way to deepen our relationship with this land, to make friends with the spirits who protect and cherish the land.

Sadly, the next morning, it was still there, and frozen–but I moved it from the middle of the yard to the way back, where more wild creatures tend to go by. (We’ve put other food offerings out there in a similar way, and they disappear.) When I returned from my walk, I was happy to see a crow back there at the bowl, pecking at it with their beak.  They are also guardians of this land.

Crow eating butter – Version 2

Later, I discovered that the crow flew off with the pat of butter but left the porridge.  So I guess that our land spirits might not like porridge–which is after all a very European food tradition.  We’ll have to keep experimenting with other foods, to see what they prefer.  Still, I was happy to give a gift to the crow.

Ancestor Wounds and Healing

I’m on my way to the Wild Maine Witch Camp!  My friend Sylvia and I are leading one of the morning workshop series (called a Path), on the topic of Ancestor Wounds and Healing. 

Our intention in this path, is to open our lives to the blessings of our ancestors and to healing the wounds we carry from them. This work, for us, is rooted in our understanding that our path as witches is tied up with collective liberation from colonization and oppression, from patriarchy and racism. Connecting with our ancestors is a way to wrestle with our collective history and all that it includes, in order to bring healing and liberation in our times.

I have been blogging about this process with my own ancestors for the last several months, discovering more about the experience of my German and East Frisian immigrant ancestors, and the Quebec story of my French, Innu and Scottish ancestors. I’ve been asking questions about how the stories of my ancestors fit into the larger story of colonization, of relationship to the land, of migration, and belonging. Perhaps I have also been wrestling with the question of whether my European ancestors might have any blessings to offer me. That story is so tangled and broken.

I am looking forward to sharing this work with a group of people in the context of our lives as witches. Our tools will include experiential magical practice, music and chanting, personal sharing, guided meditation and trance work, sacred herbs, and the wisdom of each person in the circle. We will draw on Joanna Macy’s Work that Reconnects which is based on a cycle of four movements that we will use through our four days together. We will begin with gratitude, then move into honoring our pain, then seeing our connections with new eyes, and finally, going forth.

Perhaps I am hoping to discover if this message from Linda Hogan, Chickasaw writer, also might apply to me:

Walking. I am listening to a deeper way.

Suddenly all my ancestors are behind me.

Be still, they say. Watch and listen.

You are the result of the love of thousands.

Biddeford Pool beach

Miracle of Ocean

Crescent Beach September

Yesterday late afternoon, with the weather up to 80 degrees, I went to Crescent Beach. Would it be the last day warm enough for me to go in the water? Maybe, maybe not. But without expectations, I set up my chair on the sand, and walked down to the edge of the water to feel the cold splashing on my feet. Its temperature was mildly cold not frigid, much warmer than early summer. There were a few more waves than usual. Only a small group of children were in the water, jumping into the waves as they broke on the shore.

I have become a bit timid about waves, as I have gotten older. The tide was low, and there were lots of round stones to walk over, so I came back to my chair and put on some swim shoes, so I’d have better balance. Then I walked back out and stepped right in. I moved quickly through the breaking waves and past them to about my waist level. The rhythms of the water rose up to my shoulders, and then back down, lifted me up and down, too, but gently. I dove into one wave to cover my head, but then I just stood facing the sea, watching the waves come in, letting them carry me up and down.

Here’s the amazing thing: after being in the water, the waves, for a long time, and then staying longer still, I began to be washed in a sense of joy and happiness. It felt miraculous because this whole past week, I had been feeling exhausted and achy–a classic flare up of the auto-immune conditions I struggle with. But somehow the water washed all of that away, and I was filled with a physical sense of well-being and playfulness.

When I go into the water, I usually pray to the Mother Ocean, I give her my worries and struggles. She is one kind of divine presence, larger than I can ever be, and the source of all life. But it wasn’t my small prayer that shifted me–it was the very energy and power of her presence all around me, it was the waves dancing with me, it was my body responding to the waves. It was unexpected.

Filled with this lovely happiness, when I came out of the water, I walked along the shore looking at stones and shells, and I found several pieces of sea glass. I love that the ocean can transform these broken bits of human invention into tokens of beauty. Since I have been thinking lately about the ancestors, it came to me that sea glass is a kind of gift from people who came before. I’ve read that it can take 20-40 years in the waves, sometimes longer, for glass to be tumbled to create this patina. So someone a long or short time ago made the glass, touched it, discarded it.  I am holding this connection, broken yet made whole again, and so I prayed for friends and family who needed healing.Seaglass

After my walk, I sat in my chair and ate some yogurt mixed with cocoa, honey, cacao nibs, and blueberries. I started reading the novel Barkskins by Annie Proulx, which begins with French settlers in Quebec taking down the forest. (Another way to try to understand colonization.)  Isn’t it a picture of happiness, to read in a chair on the beach, sun on my shoulders?

monarch catepillarOn my walk back to the car, one more fun surprise. This colorful monarch caterpillar on a milkweed plant just past the beach roses.

I wish I could share with you the happiness of being in the ocean, of walking on the shore finding sea glass, of reading on the beach on a September evening, of finding a monarch on a milkweed.

But the happiness was triggered by actually being in the ocean with its waves dancing me up and down. So if you are feeling timid about walking into the waves, whether literal or metaphorical, please know that on the other side little miracles might happen. Joy might find you.

 

Raccoon/Espons

One of the great things about our cats is how they alert us to visitors in the yard.  This morning, Billie suddenly leaned over into the bedroom window, all focused attention, and then she hurried off to the kitchen.  I looked out the window, and then I too ran to the kitchen–to look out the French door windows to the back.  We had both seen a raccoon, walking right onto our deck, checking things out.Raccoon on the deck

Sadly, this was not a great nature photo–I didn’t capture the raccoon’s adorable face.  And when they saw us at the window, they decided to move along, leaving only small wet footprints behind. I barely caught their distinctive striped tail as they hurried past on their way toward the steps to the driveway.  Raccoon tail

Compost barrel holeThe Passamaquoddy word for raccoon is Espons, and it means the one who leaves a mess. I pulled on my boots to go outside to see if Espons had left any messes anywhere in our garden–but the only thing I found was a tiny hole dug into the side of our compost barrel.  It looks like that compost is ready.

I think this is the first time I’ve seen a raccoon in the yard, though I saw one in a tree down by the brook a while back. As much as Margy and I love to play in the soil, plant trees and bushes, and tend to the growing plant life all around us, the most thrilling part of connecting to this land is when the critters visit us.

Many small birds and squirrels live here all the time, but we’ve also seen turkeys, a very occasional deer (and not in the last year), the skunk, the groundhog, a few chipmunks, the fox, the hawks, the turkeys (they visit a lot–though not this spring–they must be raising young somewhere else right now), not to mention tiny toads and salamanders. I call them visitors, but really, we share this urban environment. They live here as much as we do–but not usually on the deck!  We try to find a balance between welcoming them, and reserving certain garden foods as our own “territory.”  (Since we don’t yet have much food in the perennial food forest we’ve been slowly creating, it hasn’t yet been a big issue.)

I am reminded somehow, by the joy of this unexpected visit, that my spiritual “marching orders” during this past cycle of seasons have been rather clear.  I was not to try to “make magic”–which I understand as to focus my intention and will to create something or to make change in this world.  Rather, I was to flow with the already flowing magic of the deeper River, to let the Earth move my feet, let the Wind guide my mind. I was to rest, and let the Fire of joy carry me through the days.  That joy has carried me into some marvelous learning–the Wabanaki language class comes to mind.  That joy has carried me out into the garden to plant and tend and haul wood chips around.  That joy has carried me to the pages of this blog site, to write and reflect.  But it isn’t really about creating a garden or a blog.

It is about observing, being quiet, listening to the trees, tuning in to the flow of interconnected life. It is about moving beyond doing into a different way of being.  A way that is alert to the many beings who visit us, whether we notice them or not. It is about noticing.

Margy's clover & daffodils

Margy’s clover & daffodil garden in the front yard.