My Lesbian Book

Thirty years ago, I wrote a thesis about lesbian identities and lesbian spiritualities: a lesbian theology of liberation. I didn’t have the grounding and context to publish it beyond my academic program, and I have always regretted that it didn’t make it into a book. Recently, I have been asking myself, could I find a way to publish it now?

It seems in one sense a foolish idea, because so much has changed in thirty years. The realities of then are not the realities of now. But while much of the change has been empowering for lesbians and others on the LGBTQ continuum, some things have been lost as well. There was something amazing about the flowering of lesbian community I experienced during that time–joyful, life altering, transformative.

I first encountered lesbian community in Grand Rapids, Michigan, of all places, and at the Michigan Women’s Music Festival in 1979. This was before my own coming out, and certainly an instrumental part of my coming out, though that process took several years. There was a fundamental intersection between lesbian and feminist communities that was happening then, that opened up this world to me. In 1983 I moved to Chicago to go back to school, and found more lesbian community there.

ADB jam, Women’s Peace Camp, 1985. Photo by hershe Michele. https://peacecampherstory.blogspot.com/2014/12/herstory-028-helen-friedman-aka-helen.html

In 1985 and 86, I lived at the Women’s Peace Encampment in upstate New York for several months of each year, and that was like crossing the border into Lesbian Nation. The photo above is from a musical jam session that was one of many I participated in, though I am not in that particular photo. In 1986 I moved to the Boston area. The feminist and lesbian communities there were large and diverse: they supported–and were supported by–two book stores, several lesbian bars, a women’s community center, a woman’s monthly periodical, and so much more. It was in 1990-91 that I wrote my thesis in the context of Episcopal Divinity School’s Feminist Liberation Theology and Ministry program.

When I left Boston in 1999, it was to venture into a career as a Unitarian Universalist minister, which brought me back into the more mainstream world. I was still out as a lesbian, I was still connected to other lesbians, but being a minister shaped my role and altered my relationship to community. That, and the fact of changing my location, first to Cape Cod and then to Portland, Maine, which were very different places from Boston. Somewhere along the way, it seemed like the lesbian community I knew disappeared. I might have thought this was just my personal experience, but then in 2016, Bonnie Morris published The Disappearing L: Erasure of Lesbians Spaces and Culture. I haven’t yet read her book, but it has been sitting on my bedside table waiting.

It has only been in retirement, in older age, and perhaps in the isolation of this pandemic, that I have looked back at my lesbian thesis and wondered about it. From thirty years on, I can see how difficult it has been for us to pass on a “lesbian heritage” from one generation to the next. I notice how individuals of newer generations may sometimes find themselves lost and lonely as they try to grapple with sexual or gender identity. I also notice how newer generations re-invent themselves on their own, and in their own ways, very differently from those of us in earlier generations. So perhaps all of that is fine.

But perhaps there might be something valuable in resurrecting the voice of the me of thirty years ago, perhaps it might be useful to someone. After I did an oral history for a program at the University of Southern Maine, a student who listened to the recording was inspired to write a poem, “What if God were a lesbian?” And significantly, that was very like the original question that inspired my own book. What if?

Magic in the midst of illness

Woke up to a misty morning on this new moon day, and started reading my journal from the last new moon until today. It is a ceremony I honor each new moon, and it is a way for my life to teach me.

I was struck by some passages from the time of Halloween/Samhain, that special time of connections to the ancestors. Because of chronic illness and its deep fatigue, I haven’t felt very spiritually focused lately, not much energy for deep ritual. Plus in COVID times, we don’t have our seasonal gatherings either. But it seems like the ancestors and spirits are reaching out to me nonetheless.

I did manage to cook salmon and potatoes for dinner on Samhain to honor some of Margy’s and my various ancestors. I listened to Quebecois music while doing dishes, and drank East Frisian tea. During the night of the full moon/blue moon I suddenly woke at 4 a.m. and saw the moon shining brightly outside my window. The next day, I saw a cardinal–my healing messenger bird–at the bird-feeder–the only time I’ve seen one there all this season. I was watching TV a couple days later and stumbled upon the movie Coco, which (despite its flaws) got me into the mood of Dia de los Muertos.

Marigolds growing self-seeded in our garden strip near the road.

I was looking for things to watch on our Roku and stumbled upon a series on Canadian Rivers. The best episode was on the Moisie River, or Mishtashipu in the Innu language. I had first learned about this river from Innu people who were fighting to protect it from a hydrodam planned by Hydroquebec. They won that fight, partly because there were also rich white people trying to protect their own salmon fishing. It was beautiful to see the river, and to listen to the Innu people who call it home. (And by the way, the word-segment “ship” in Mishtashipu is a cognate to “sip” in Passamaquoddy, which means river. I feel happy to know that.)

All these little threads meandering unexpected through my days, pulled from me this prayer: “Ancestors, are you reaching out to me from the other side of the veil? Even though I have so little spiritual concentration or focus right now? I open my heart to your presence.” I remembered magical moments of other times when I felt the presence of spirit close by. When my Innu ancient-grandmother, Nukum, first appeared, holding a bowl full of the universe. When I was able, despite all odds, to find the grave of my great-grandmother Claudia in Ottawa. When I was sitting right next to my dad as he took his final breath on this earth.

At the tiny headstone of my great-grandmother Claudia.

During those Samhain days, I was also working on a testimony about my family’s role in colonization. I was feeling the weight of the ancestors–the migrations, the wars, so much. I was feeling overwhelmed by that weight, I was feeling that I could not carry that weight, or imagine ways to find healing for this aspect of my heritage. I feel weary even from the weight of my many living relatives who seem trapped in a cult of lies, there is much estrangement between us. And so once again I reach back to spirit kin.

Finally, I hear: “You don’t have to carry the weight. Let go. Remember trust. I am here even when you cannot hear me, in this dark night of the mind and body. You are already in my hands. It was never a question of guilt or innocence. It was always about love. It is okay to trust my love. Breathe in love.”

And so, today, day of the new moon–this new moon which is also considered part of the time of closeness to the ancestors and spirits–I let myself hear those words again. There is room for magic to intervene, even in the midst of illness and fatigue, even when I cannot dance or sing or build a fire. And I am filled with gratitude.

Moon, Sun

Full Moon in the west

I wake early this morning and see the shadows of the two cats, sitting upright together on a small table, gazing out through the semi-sheer curtain to the bright full moon.  The moon is called nipawset kisuhs in Passamaquoddy, the one who walks in the night. The sun is espotewset kisuhs, the one who walks in the day.  The moon and the sun are both considered animate, living beings.  That is how it has always seemed to me as well.

And so I am lying quietly awake, lifted by this beautiful light, this moment of magic, as the moon begins her descent into the west, into the branches of trees. We earth beings, cat and human, love the moon.

These days have felt fraught with fears for me, new coronavirus fears adding to the larger fears of ecological destruction, the resurgence of white nationalism and fascism, the horrors being wrought by our government on innocent children and parents who seek refuge from even larger fears of their own. So many fears. Now that I am retired, now that I am not so occupied with constant pressure from work, the fears have more room to rise up from their subconscious depths to trouble me directly.

Yet, the moon.  The moon eases the fears with her beauty.

Something about the moon calls into my memory a poem I wrote many years ago, back when I lived in Boston. That poem was about the sun, and also about fear. I think I want to share it here this morning, though it feels vulnerable to do so. These sacred moments. But perhaps it will be a blessing for someone else who is living into fear. The moon and the sun shine for us all.

The Sun spoke to her sometimes,
early, mostly at dawn,
though dawn usually meant
first glimpse she got each
morning, maybe standing
on the front porch to get the paper,
maybe looking through the window
between branches and buildings.
The Sun spoke to her then.

Is that a prayer?
Seems like she didn’t call out
or ask for anything–maybe
just a heart full of certain
needs–but the Sun seemed so eager.
The Sun seemed eager to name the day.

It was through the window
between the tree branches one time,
and three story buildings,
the Sun gave her a name too.
She never talked about the name,
seemed like it would sound silly
repeated like ordinary words
into conversation.

When the Sun spoke her name,
that was different,
so clear and simple
like words of power are:
First Afraid.
As soon as she heard those words
she didn’t feel afraid any more,
even though she could see so clear
how true it was,
how fear was always first in line
when things came up,
her heart clutching at the moments,
not wanting to let go or let come.
First Afraid.

And there was the sky turning
from pink to yellow
and night was turning right into day.
She sees the moments passing,
and all quiet-like inside,
knows that even her fear
can’t stop that turning,
and her hands relax a little,
her eyes watch, curious.

She remembers a child learning words
and colors and numbers,
the names of things.
All the world fitting
into the hands and mouth,
touched and eaten and spoken
–her mouth so full of power
she can’t help laughing–
words multiplying like popcorn,
words sweet like candy,
she wants to say everything.

But then her mother’s voice
tightens like a lid on a jar
–be careful, be careful–
as if naming were sharp like a knife
or heavy to drop and crush,
words so hot they might burn.
As if she just might eat up
the whole world and leave nothing left
at all, And so she stops to measure,
stops and measures.
First Afraid.

The Sun doesn’t slow down or speed up,
moves surely, gently, warmly.
Caresses with indifferent generosity
across the words
of morning or noontime.
The Sun speaks her.
Puts words back in her mouth
and on her fingers.
Sky turning from pink to yellow
and night turning into day
through the window
between the tree branches
and three story buildings.
The Sun puts words back in her mouth
and on her fingers.

Sun in winter

At Home

Picture by Arla Patch, James Francis

With these last few quiet days at home, Margy and I were finally (after almost four years) able to take down from the attic all of our wall pictures, and decide how we wanted to decorate the walls of our living room and kitchen. It was especially wonderful to place over our fireplace hearth this print, Stewardship of the Earth, by James E. Francis and Arla Patch. We had purchased it several years ago in a fundraiser for Maine Wabanaki REACH.  Here is more information about it from an article in the Friends Journal.

This work of art is a collaboration between James E. Francis, Penobscot artist and director of cultural and historic preservation for the Penobscot Nation, and Arla Patch, artist, teacher, and [at that time] member of the communications subcommittee of the Wabanaki Truth and Reconciliation Commission.

It was made for a western Maine community celebration of the native woman Molly Ockett (c. 1740–1816, Abenaki nation, Pequawket band). The theme of 2013’s MollyOckett Days Festival was “Stewardship of the Earth.” James created the central image of the tree that becomes the earth. Arla created the context based on the European American tradition of quilts. James provided the symbols, which represent the four remaining tribes in the Wabanaki Confederacy: the Penobscot, the Passamaquoddy, the Maliseet, and the Micmac.

A theme of the four directions, which comes from both Native American spirituality and ancient Celtic tradition, is depicted as the night sky for the north; the sun rising over “second island” next to the Passamaquoddy land of Sipayik; the midday sky for the south; and the sun setting over the White Mountains for the west. “Agiocochook” (home of the Great Spirit), also known as Mt. Washington, is included in the western sky.

Blueberries are included for the role they have played in sustaining Maine native peoples historically and to this day. Maple leaves are in the upper corners to honor the development of maple syrup by the Wabanaki.

When we put this picture on the wall, along with a few others around the room, I found myself feeling rooted and joyful, at home in a deeper way than before. It was as if some mysterious magic had created a circle around us, and we were aligning into harmony and beauty.

May that beauty bring us hope and strength as we enter a new decade, a decade that will be pivotal in our collective stewardship of the Earth. May we human beings find a way to live in harmony with all of our relatives on this planet that is our home.

The Power of Memory

Presumpscott River

I just finished reading Ta-Nehisi Coates’ The Water Dancer, a powerful novel set in the days of slavery and the underground railroad, told through the voice of one young man who is among “the tasked.” There is so much I could say about this story.  Starting with this word, “tasked.” Coates never has his characters who are in bondage call themselves “slaves,” but rather, “the tasked.” And this subtle shift of language helps to transport us beyond the familiar words (of the masters) that have been written as history, into the direct perspective of those who were counted as property.

Even though I learned about slavery from my early days in school, it was easy to discount (even by benign repetition) the pervasive way this institution shaped the whole of our nation from its beginnings, it was easy to mask its reach and extent and corruption.  I grew up in the north, and it was easy to think of it as something far away, other.  But in recounting exploits of folks in the underground railroad, Coates makes clear that people in the north weren’t safe from slavery, or immune to its power. Any person of African descent could be captured off the streets of Philadelphia and transported away into bondage. A person of European descent who devoted themselves to ending slavery risked being murdered.  It was everywhere in this country.

It is not that the novel opened my eyes to some new knowledge, but that it helped me remember what I have already known, and bring it alive in a vivid way.  The whole practice and institution of slavery makes a lie of any notion of “greatest country” or “good old days” or “American dream.”  From the earliest settler invasions in 1619, through the creation of the “United States,” through the Civil War, up to 1865–246 years–the country was bound up in these practices of forced labor, torture, separation of families, sexual abuse. We are part of a horrible legacy that still shapes everything about our country, even though there are strong incentives for us to “forget.”

In The Water Dancer, the central character, Hiram Walker, has a magical gift that is tied to the power of memory.  He was a precocious child with a photographic memory of everything, except for the memory of his mother, who was sold away from him when he was only a young boy.  That trauma erased all memories of her from his consciousness. But later, crossing a bridge over the river Goose, the bridge where so many people had been lost into the deeper south, he sees a vision of his mother dancing with a water jar on her head.

The story begins here.  On the first page he says,

“knowing now the awesome power of memory, how it can open a blue door from one world to another, how it can move us from mountains to meadows, from green woods to fields caked in snow, knowing now that memory can fold the land like cloth, and knowing, too, how I had pushed my memory of her into the “down there” of my mind, how I forgot, but did not forget, I know now that this story, this Conduction, had to begin there on that fantastic bridge between the land of the living and the land of the lost.”

He doesn’t come into the power of his own magical gifts until he can awaken the full memory of all that he has lost, and the painfulness of that loss. And perhaps we too will never find healing for all that we face in our world today, until we open our minds to the painfulness of what we call the “past,” (because it is never “past”), until we are willing to face it as it lives within the “down there” of this land we call home.

The Water Dancer creates that kind of magic, conjures the power of memory to transform all that we are.

Raccoon/Espons

One of the great things about our cats is how they alert us to visitors in the yard.  This morning, Billie suddenly leaned over into the bedroom window, all focused attention, and then she hurried off to the kitchen.  I looked out the window, and then I too ran to the kitchen–to look out the French door windows to the back.  We had both seen a raccoon, walking right onto our deck, checking things out.Raccoon on the deck

Sadly, this was not a great nature photo–I didn’t capture the raccoon’s adorable face.  And when they saw us at the window, they decided to move along, leaving only small wet footprints behind. I barely caught their distinctive striped tail as they hurried past on their way toward the steps to the driveway.  Raccoon tail

Compost barrel holeThe Passamaquoddy word for raccoon is Espons, and it means the one who leaves a mess. I pulled on my boots to go outside to see if Espons had left any messes anywhere in our garden–but the only thing I found was a tiny hole dug into the side of our compost barrel.  It looks like that compost is ready.

I think this is the first time I’ve seen a raccoon in the yard, though I saw one in a tree down by the brook a while back. As much as Margy and I love to play in the soil, plant trees and bushes, and tend to the growing plant life all around us, the most thrilling part of connecting to this land is when the critters visit us.

Many small birds and squirrels live here all the time, but we’ve also seen turkeys, a very occasional deer (and not in the last year), the skunk, the groundhog, a few chipmunks, the fox, the hawks, the turkeys (they visit a lot–though not this spring–they must be raising young somewhere else right now), not to mention tiny toads and salamanders. I call them visitors, but really, we share this urban environment. They live here as much as we do–but not usually on the deck!  We try to find a balance between welcoming them, and reserving certain garden foods as our own “territory.”  (Since we don’t yet have much food in the perennial food forest we’ve been slowly creating, it hasn’t yet been a big issue.)

I am reminded somehow, by the joy of this unexpected visit, that my spiritual “marching orders” during this past cycle of seasons have been rather clear.  I was not to try to “make magic”–which I understand as to focus my intention and will to create something or to make change in this world.  Rather, I was to flow with the already flowing magic of the deeper River, to let the Earth move my feet, let the Wind guide my mind. I was to rest, and let the Fire of joy carry me through the days.  That joy has carried me into some marvelous learning–the Wabanaki language class comes to mind.  That joy has carried me out into the garden to plant and tend and haul wood chips around.  That joy has carried me to the pages of this blog site, to write and reflect.  But it isn’t really about creating a garden or a blog.

It is about observing, being quiet, listening to the trees, tuning in to the flow of interconnected life. It is about moving beyond doing into a different way of being.  A way that is alert to the many beings who visit us, whether we notice them or not. It is about noticing.

Margy's clover & daffodils

Margy’s clover & daffodil garden in the front yard.

May Day the old way

May Day treeYesterday evening, eight of us danced around the pitch pine in our yard, dressing it up with rainbow ribbons for May Day.  Did you know that the original Maypoles were not cut wooden poles, but live trees?  It makes sense to me, coming from people who worshiped among the trees, who honored and revered the trees. And so what better way to celebrate the full arrival of spring, the arrival of the May, than to celebrate the tree with an ancient dance?

Earlier, I had attached eight ribbons to a small metal ring, and then Sylvia tossed a rock-tied string over a branch so we could lift the ribbons to a good height for dancing. Margy went to a field close to where we used to live to pick forsythia branches to decorate the bottom of the tree. In this time of the earth awakening, we joined our life energy to that of the earth, that we might all be full of life and regeneration.  It was a magical moment to be weaving in and out between each other, with our bright colors, dancing on the earth, and finally surrounding the tree, hands joined in a circle.

After a rain-filled night, I took photos this morning. We keep hoping for more warmth…it is only in the 40s today.  But we’ve finally finished planting all the bushes. I set up the rain barrels (by putting in their spigots and re-attaching their overflow hoses), and yesterday I found smaller containers for storing a big bag of Kaolin clay (an organic product used for certain orchard pests). Tending and planting and tending.

When I pay attention to what is happening to our planet, I feel so much despair, I feel overwhelmed. I know it is better to plant trees, than to cut them down.  I know it is a good thing to tend this small plot of land.  But even with many of us planting trees, or protesting, or changing our lives, do we have the power to stop the destruction?  No, I think not.  But what came to me the other day was this.  If we are out there, planting a tree, putting our hands in the soil, watering a seed, dancing on the ground, or even lying in a hammock under a pitch pine, perhaps we can learn to hear the voice of the earth.  Perhaps she will see us there, and take pity on us.  Perhaps she will open our ears and hearts and guide us into regeneration and healing. This is my hope.May Day Pitch Pine

A wing and a prayer

A poem & photo reflection from eight years ago that I found again today.  (Photos by Margy Dowzer.)Bird WingI think of the wing of a bird

the wing I found by the side of the road 

          of a bird now dead

the wing so intricate and beautiful

           now in decay

I imagine this–the millions of birds–

           beautiful

           coming into being, fading away

the artist painting a billion paintings

the stories wondrous, tragic

the story of that bird—alive, 

           growing feathers, flying, eating

            alive and then dead,

            and then the materials un-forming

so brief a story, so brief a life

 

I imagine The Life

creating itself into a billion forms

and then re-creating another billion forms 

          with almost infinite variation

a kaleidoscope of beauty and diversity

and different ways of being conscious of the work

and different ways of participating in creating

              making choices

Can you feel the inner creative energy in each one?

 

So now I am creating and seeing as Myke

          (and how beautiful I am

            eyes looking out at this world

            heart capable of love

             making changes, healing, choosing)

and I will dissolve and disintegrate too

and I will reform into a new being

 

The larger I Am –it sounds so static, in a way–

yet it is not static

it is creating, evolving, engaging, weaving, curious

dare I say hopeful?

(Is there a goal to which it strives?)

(Or is it playing to see what happens next?) 

(Am I?)

The stories, billions of stories

Can the stories appreciate the magic

            be full of wonder and gratitude

            enjoy the show?

 

I am that

I am the bird who grew feathers and died

          and was seen by the Myke

          and was photographed by the Margy

I want to wake up

 

Holy One,

open my body and emotions and intellect

to be united in awareness with my Larger Self

with the Creator

with the Limitless One

Help me to remember who I Am

          as the I

          as the Myke

Each being is beautiful

We are all one Being

Each story is beautiful

We are all one Story

Bird Wing closeup

Sunrise Calling

Screen Tent UpThe dawn wakes me up at 5 a.m. even though I went to bed after 11.  Part of me cries, “No! I’m tired!”  I’ve been weary and out of balance since my father died.  But then I remember that the morning is my proper habitat.  I remember that the dawn is full of magic.  So I get up and go outside, and finally set up the screen tent that functions for me in summer as a place of meditation and prayer.

The tent is getting old and faded–this might be the last year before it falls apart.  But it is a place I can come to in rain or shine, protected from mosquitos, a little sanctuary.  This year I set it up near the fire circle, and enjoy the feeling of that area taking shape as a circle of spirit and connection.  On the other side of the fire circle is what will eventually be a pond.  The old white pine is nearby.  And the hammock.

This place grounds me.  I water the vegetables and new plants with water from our rain barrels.  I pray for the mulberry tree which is still a stick–but are there tiny green buds just beginning to show?  It is our question mark tree–will it come to life or not?  I learned from Fedco that mulberries can be late bloomers, so we’ll give it a few more weeks.  I go round to bless the blueberry plants–both of them had had damage to one of their two branches the other day–little animals breaking them off?  It hurt to cut them off below the break, so that the plant could recover.

I water the asparagus plants–which although planted within a foot of each other, emerged at different times, with different strengths, some tiny and weak, others big and bushy–may these fronds give strength to the roots so that they can return year after year.  The other day I transplanted the licorice bush into its spot.  I made a little bed with cardboard over the grass, then compost, some coffee chaff, some soil, wood mulch on top.  It needs to grow for a few years before we can dig up the roots to use in medicinal teas.  I had to think about where to place it, but finally decided on a spot near the sea kale and turkish rocket plants, which are in full bloom right now.  I put a little fence around it to protect it from random water hoses or accidental mishaps.

Dear mother earth, dear trees, dear home, bless our human lives.  Bless this world with its many troubles.  Bless the parents who are being separated from their children, the children being separated from their parents.  Bless those who struggle for justice, for dignity, for the water, for the people, for the planet.Licorice sea kale rocket

 

Spring Arrives in Maine

Spring Arrives in MaineToday is the first day of spring everywhere in the Northern Hemisphere.  What it looks like in my neighborhood is huge piles of snow and a really cold morning, but with a bright sun leading us into a clear day.

Margy and I hosted an Equinox ritual at our house last night.  It was a small group of five this time, and most of us were weary from the winter, so our ritual was simple and low key.  We named the friends who had joined us for Solstice and Imbolc, and sent blessings to all of them.  (You know who you are!)  We shared thoughts and readings about our lives and about winter and spring.  We talked about what we wanted to let go from the winter season, and what intentions we wanted to carry into this new season.

I thought about the next several weeks until Mayday.  The snow will disappear, and the ground thaw, and begin to fill with green.  Our plants will arrive from Fedco:  an apple tree, a peach tree, two blueberry bushes, three hazelnut bushes, a mulberry tree, a licorice plant, 25 asparagus plants, and 3 golden seal plants.  By Mayday, I hope they will be in the ground.  Our friends volunteered to help with the planting.

I remember when we first imagined this new home, when we began to lay out our intentions to find greener housing in the summer of 2015.  Our intentions included creating a permaculture garden, and having space in our living room for people to gather.  And here we are!  Living those dreams into reality.  The magic of deeply felt intentions can be surprisingly powerful.