Tag Archives: Lost Words Blessing

Be like the crows

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Crow on the top of bare branches of a tree against a blue sky
[A crow is perched high in the bare branches of a tree outside my house. This photo is not from yesterday, but reminds me of the crow I saw yesterday in a similar perch.]

After blogging yesterday morning about Listening for Spirit, I bundled up in warm clothes to take a walk in the cold. As I stepped off the back porch, I heard the raucous calling of crows, and looked up to see a crow high in the branches of a tree. Then I saw two others, all of them agitated and calling. They flew over our back yard and kept calling and scolding.

I walked down the driveway, turned right onto the street, went past our neighbor’s house and then around the corner, on my usual route for a morning walk. I could still hear those crows! Then I saw the cause for the crows’ alarm–it looked like a huge hawk up in a tree near another neighbor’s house. I could see the white feathers of its belly as it perched and I crossed the street to confirm its identity. Then it suddenly flew off, obviously bothered by the relentless scolding of the crows. They didn’t stop, but kept after it until it was gone.

Then Spirit said, so clearly, “Be like the crows! Keep calling out to alert everyone to the presence of a huge predator! Keep calling out together.”

I was reminded of the line in a song that I have been singing and translating. “Even as the hour grows bleaker, be the singer and the speaker.” [from The Lost Words Blessing] In Passamaquoddy, verbs are more fundamental than nouns, so the end of that line became, “…ahtolint on ktahtolewestun” “…keep singing and keep speaking.”

I have watched people talking about facing encroaching fascism by deleting their public presence on social media, by using encrypted forms of communication like Signal, by using extreme caution about what is said and what is shared. And there are situations that definitely warrant those precautions. Definitely. But I believe that there are also reasons to keep speaking and keep sharing. Keep naming our values, keep claiming our experiences, keep identifying what we witness.

If we are called to that. And not alone, but in groups, even groups of three. Three crows can annoy a hawk enough to make it leave. I felt the presence of Spirit so strongly in those crows that it gave me courage to say, I can do that. I can keep speaking here, as long as I can.

The Lost Words

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I haven’t had many words this autumn. Now, here we are in mid October. Leaves changing color, lovely cool days and cooler nights.

On the autumn equinox, we had a ritual with a few friends around our fire outside. I had gathered some acorns and we passed around a basket of them and each took out one acorn to express our thanks for some aspect of our lives, and then one for a wish or intention that we wanted for the next darker season. My intention was to bring back more music into my life. For whatever reason, I hadn’t been singing or playing my guitar for ages–I mean, years. So I put on new strings, and tuned the guitar, and then started singing a song here and there.

I found this hauntingly lovely song, Lost Words Blessing, originally shared by a colleague in a worship ritual. The song was inspired by a book The Lost Words created by by Robert Macfarlane and Jackie Morris. “The book began as a response to the removal of everyday nature words – among them “acorn”, “bluebell”, “kingfisher” and “wren” – from a widely used children’s dictionary, because those words were not being used enough by children to merit inclusion. But The Lost Words then grew to become a much broader protest at the loss of the natural world around us, as well as a celebration of the creatures and plants with which we share our lives, in all their wonderful, characterful glory.” [You can find out more about it on their website, and order books and albums there as well.]

One of my favorite things to do with songs is to figure out how I can sing and play them, and so I did with this one. And then, I found myself thinking about Passamaquoddy/Wolastoqey words, and how the language is in a fragile place, with original speakers growing older, and newer speakers trying to find their way into the language after long years thinking in English. How many of those words have been lost, or almost lost?

It has been a powerful gift for me to be learning the language with Roger Paul, via the University of Southern Maine during the last six years. Roger told us that the elders had given permission to share the language with outsiders, so that others might wake up to the world view hidden within. But I am always conscious that the language is filled with triggers of pain for all that was lost and taken by the violence of colonization.

There was something about the language that resonated for me with the song “The Lost Words Blessing.” So I decided to try to translate the song into Passamaquoddy–which I quickly found out isn’t really possible. It isn’t possible in part because the structure of English poetry is based on filling the lines with many words to evoke an experience, while the structure of Passamaquoddy, as well as I can understand it, is to use words that themselves are full of descriptive action. I learned a lot about how different the two languages are, by trying to create a version of the song in Passamaquoddy.

Still, I kept at it, not “translating” but pulling out words and sentences that created a similar experience in me, and also fit the phrasing of the music. While I am only an intermediate learner, I have learned how to research using the pmportal.org, to try to identify patterns and options and vocabulary. I couldn’t do it without that aid, and likely I made mistakes. I still don’t know if or when it might be respectful for me to sing this song. Can I, as a white woman, bring the language into this particular experience? When might it be appropriate to enter deeply into the language such that I can create a song with it? But to learn the language is, in a way, to fall in love with it. I want to honor Roger’s teaching by speaking as well as I can. Whether I ever sing the song for anyone but myself, I have learned so much by trying to create it.

Here is a sample, the first verse, with the original English, the Passamaquoddy, and then a more literal rendering of the Passamaquoddy into English. [Note: edited Dec 2024 with updated draft]

  • Enter the wild with care, my love
  • Kuli-nutahan elomahkiwik
  • In a good way, go out to the wilderness
  • And speak the things you see
  • on ktitomon keq nemihtuwon
  • and say what you see
  • Let new names take and root and thrive and grow
  • Piliwihtomun on kminuwiwihtomon
  • Name it/them newly and name it/them repeatedly
  • And even as you travel far from heather, crag and river  
  • Peci-te pihcehkomon nit sip weceyawiyin
  • Even when you go far from the river where you are from
  • May you like the little fisher, set the stream alight with glitter
  • Ansa pokomkehsis sipuhsis seskahtuweht
  • Like the little fisher make the stream sparkle brightly
  • May you enter now as otter without falter into water
  • Ansa kiwonik cupotomhat, kini-cupotomha
  • Like the otter slides into water, boldly slide into water