How to find the magic?

Evergreen tree inside our house, decorated with lights and little ornaments, with wood stove to the right in a brick hearth.

Almost Winter Solstice here! We got our first snow the other day, just a few inches, but enough to brighten the ground. It is good. It seems the long cold nights are infiltrating my spirit, and I feel weary. As I get older, it is harder to rejoice in the season of winter–ice has tripped me up on prior walks, and bruised my bones. COVID has limited our ability to welcome guests into our home, and it is too frigid for visits in the garden. Last week, our heat pumps suddenly stopped working, and we turned to our back-up boiler, but it seemed a little clanky from disuse, so we fired up our wood stove. That sounds cozy, but I find the wood smoke gives me headaches. (Thankfully, the heat pumps were repaired in two days.)

I feel old and cranky and tired with this season. It is ironic that pagan myths often assign this season to an old woman. I wonder if the winter crone is cranky? I am wrestling with how to find the magic of this cold dark season.

I didn’t really feel like getting a holiday tree. But Margy did, so we got this tree from our local food coop. I don’t feel guilty for it being cut, because it was grown for this purpose on an organic tree farm. Seeing how many seedlings try to grow into a new forest in our yard, I know that there can be an abundance of seedlings that naturally never grow up–so this one got to grow to eight feet and then be celebrated. I find myself surprised by how good it feels to have this little tree with us in the house, like a connection to the natural world during a time when that connection is harder to feel. I feel grateful to Margy for pulling us into its sweet magic.

That is my question. How to find the magic of this cold dark season? Can I quiet my mind, rather than merely entertaining it with stories in books or on screen? (though this has often been a season of stories) Can I open my heart, even if I am far away from most friends and family and other loved ones? (reaching out with letters and cards?) Can I embrace the sorrows and fears of age, of my age, my sorrows and fears, and give them a home in this moment? (hospitality has many forms) Can I embrace the silence? Let myself sink into it, floating down like a snowflake, bury myself in the silence like the plants are buried in snow? Silent night.

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For Those Who Are Blue

Some ministry colleagues shared these beautiful poems, and I thought that there might be someone out there who needs them today.

White Candle MJ DSC09662

Sweetness by Stephen Dunn (from New and Selected Poems 1974-1994. Copyright © 1989.)

Just when it has seemed I couldn’t bear
one more friend
waking with a tumor, one more maniac

with a perfect reason, often a sweetness
has come
and changed nothing in the world

except the way I stumbled through it,
for a while lost
in the ignorance of loving

someone or something, the world shrunk
to mouth-size,
hand size, and never seeming small.

I acknowledge there is no sweetness
that doesn’t leave a stain,
no sweetness that’s ever sufficiently sweet . . .

Tonight a friend called to say his lover
was killed in a car
he was driving. His voice was low

and guttural, he repeated what he needed
to repeat, and I repeated
the one or two words we have for such grief

until we were speaking only in tones.
Often a sweetness comes
as if on loan, stays just long enough

to make sense of what it means to be alive
then returns to its dark
source. As for me, I don’t care

where it’s been, or what bitter road
it’s traveled
to come so far, to taste so good.

 

 

My Dead Friends by Marie Howe (from What the Living Do, © W.W. Norton & Company, 1998.)

I have begun,
when I’m weary and can’t decide an answer to a bewildering question
to ask my dead friends for their opinion
and the answer is often immediate and clear.

Should I take the job? Move to the city? Should I try to conceive a child in my middle age?
They stand in unison shaking their heads and smiling – whatever leads to joy, they always answer,
to more life and less worry. I look into the vase where Billy’s ashes were – it’s green in there, a green vase,
and I ask Billy if I should return the difficult phone call, and he says, yes.

Billy’s already gone through the frightening door,
Whatever he says I’ll do.

 

Blessing for the Longest Night by Jan Richardson (from The Cure for Sorrow
© Wanton Gospeller Press, 2016)

All throughout these months
as the shadows
have lengthened,
this blessing has been
gathering itself,
making ready,
preparing for
this night.

It has practiced
walking in the dark,
traveling with
its eyes closed,
feeling its way
by memory
by touch
by the pull of the moon
even as it wanes.

So believe me
when I tell you
this blessing will
reach you
even if you
have not light enough
to read it;
it will find you
even though you cannot
see it coming.

You will know
the moment of its
arriving
by your release
of the breath
you have held
so long;
a loosening
of the clenching
in your hands,
of the clutch
around your heart;
a thinning
of the darkness
that had drawn itself
around you.

Moon in branches DSC02496This blessing
does not mean
to take the night away
but it knows
its hidden roads,
knows the resting spots
along the path,
knows what it means
to travel
in the company
of a friend.

So when
this blessing comes,
take its hand.
Get up.
Set out on the road
you cannot see.

This is the night
when you can trust
that any direction
you go,
you will be walking
toward the dawn.

This Grandmother Pine Lost

White Pine Cut with markingsIt must have been a big machine that cut down the grandmother pine tree.  I found no disturbance around the stump when I climbed up to it to offer my grief and respect.  The weeds and small brush nearby were there as before, with only fresh wood shavings and pine sap falling over the edges of the stump.  Nothing huge crashed to the ground when they took her. So it must have been a big machine.

I discovered her absence on my walk near Capisic Brook the day before, but didn’t have the strength to approach her while there were lots of workmen in the Rowe school construction zone nearby.  Ironically, they were making a children’s playground, spreading wood chips and such–perhaps that was that her wood they were using?  But why?Workers at the school

I met this tree last winter when I was measuring old white pines around my neighborhood, after I discovered that our white pine was definitely over 100 years old, and perhaps even 160 years, according to her circumference.  At that time, I was also mourning all the cut pines for the construction of the new elementary school.  I found this pine with a yellow tape around her trunk.  She was one hundred and two inches in circumference, just like the white pine in our yard. That is when I knew she was one of the grandmother trees.  I made an inquiry on the school’s Facebook page, but the person who responded didn’t know about the situation of the tree.

And now the white pine is gone.  I went to the place where she had stood, and expressed my sadness, and I did the best I could to honor her.  I counted her rings, making small markings after each 25.  (You can see those marks if you look very closely at the photo above.)  I got to 100, and then the outer rings were too difficult to see clearly–but I guess there were at least 20 more–so 120 years old?  Maybe even 130?  That would mean she was likely a small sapling in the year 1897 when both of my grandmothers were born.  She observed a century of animal and human life from her vantage point above the brook.

People in U.S. society are still thinking of trees merely as resources for our needs and wants.  But we have to begin opening our minds to the idea that the trees have their own lives, their own being-ness.  Scholars are learning that the forest is a living community of trees and other plants and animals and fungi, all interconnected in a network underground, supporting each other and all of life.

Recently, I had a chance to read The Overstory by Richard Powers.  The novel tells the story of several people, all with some significant connection to a tree or trees, who come together to protect old growth forests in the northwest United States.  Powers borrows from actual science and activism in telling his fictionalized version.  I especially loved the character of the woman botanist whose research suggested that trees were communicating and caring for each other. Because of that hypothesis, she lost all her funding and academic connections.  Eventually she found her way into work as a forest ranger, until decades later when other scientists caught up with her insights.  Two other characters spend a year living in one of the oldest redwoods, to try to protect it from the logging company.

Of course, the forest between the Rowe School (formerly Hall School) and Capisic Brook is already badly degraded. It is not old growth or pristine.  It is encroached upon by invasive plants and runoff pollutants. But it is still a living system, a wetland, a wild community in the midst of city streets and buildings.  And so I walk along its path, I cherish it, I pick up litter. I try to bear witness.

Capisic Brook Forest

The Lottery

fallen-needles.jpgI had almost forgotten about the incredible doom of the draft lottery of 1969 and the years following.  But recently, I happened upon two fictional accounts of lives being undone by this lottery, and it all came back to me.  One came in the television drama This Is Us, in an episode about the back story of Jack’s time in Vietnam. (Spoiler alert!) Jack and his younger brother Nicky are at a bar on December 1, 1969, waiting to see what birthdays will be chosen for the draft call-ups. Nicky is portrayed as a gentle, glasses-wearing kid, not tough, not cut out to fight. Jack is his protector. Nicky’s birthday, October 18th, is chosen as number 5, which means he is sure to be inducted. Their dad tells him only, “Make me proud.”  Jack and Nicky consider options, maybe Canada, but Nicky succumbs to the pressure and joins up.  We learn that Jack himself had had a deferment because of a rapid heartbeat condition.  But when Nicky writes from Vietnam that he has gotten himself into trouble, Jack finds a way to enlist, so he can watch over his brother.

I had almost forgotten about the lottery.  The feeling of foreboding, its random terrors.  My own age peers were affected by the lottery of February 2, 1972.  We were freshman in college, then, and my male friends would have received college deferments, but if they dropped out, or when they graduated, they would once again be vulnerable to being called up.  My friend Tom’s birthday was September 16th. He was sorting out what options he might have as a conscientious objector to the war.  When his number was above 200, we all breathed a sigh of relief.

Before watching that episode of This Is Us, I had been reading the novel, The Rules of Magic, by Alice Hoffman.  She introduces us to a family of young witches: two sisters, Franny and Jet, and their younger brother, Vincent.  Their history included an ancestor tried for witchcraft back in the 1600s in Massachusetts, and continuing suspicion towards their magical family.  Vincent is an artist, a singer, and a young playboy, though he eventually comes out as gay and finds true love with a man.  He has eerily known for years that he faced doom: it comes in the form of the number 1 pick in the draft lottery of 1969. His birthday is September 14th.  (The actual number 1)  The family is devastated and knows he cannot serve in the military–a witch must “harm none” lest it come back three-fold.  They try to figure out a way for him to escape, but ultimately it means that he is forever cut off from his family.

Hoffman compares the lottery to the witch hunts of earlier times, and writes the most haunting description of its effects.  Her words stirred that memory in me of our fear and our relief, of the randomness of horror cast upon the lives of young men and those who loved them. How we were divided into the lucky and unlucky. How we almost took it for granted.

It came on the wind, the way wicked things must, for they are most often weighted down with spite and haven’t the strength to lift themselves.  On the first day of December 1969, the lottery was held.  Men between the ages of eighteen and twenty-six would be drafted to fight in Vietnam according to their birthdates. Lives were interrupted and fortunes were exchanged. A cold drizzle hung down and flurries of snow fell in swirls. There were no stones thrown or drownings, no pillories or burnings. Those chosen were computerized, their fates picked at random.

Life went on in spite of the lottery: traffic headed down Broadway, men and women showed up for work, children went to play. The world breathed and sighed and people fell in love and got married and fell out of love and never spoke to one another again. Still the numbers drawn had the weight of ruin and sorrow; they turned young men old in an instant. A breath in and a man was chosen to walk on a path he’d never expected to take. A breath out and he must make the decision of a lifetime.  Some would leave the country, some went to jail, some were ready to take up arms and die for the country they loved despite the heartbreak of leaving families and friends.  All were torn apart.  It was said that fate could not be altered, except by one thing, and that was war.

After Vincent watches the lottery, he gets drunk, and is brought home by two veterans, who “pitied him the war of his time. Theirs had been terrible, but it had also been just and worth fighting.”  From Vietnam onward, I believe that none of the wars fought by our country have been just or worth fighting.  In each war, so many were wounded, so many broken in body or spirit.  And always, some resisted.  So strange to recall these old tragedies that linger beneath the surface of so many new tragedies.  And as always, some resist.