The Importance of Naming

Pitch Pine needlesIn my attempts to get closer to the pine in our yard, I made an important discovery today.  It is not a red pine, it is a pitch pine. I discovered that its needles come in groups of three–and the red pine comes in groups of two.  So then I went searching for a resource I remembered from a couple years ago–an identification guide of the pines of Maine, and confirmed everything.

It is a funny thing.  I had used that resource earlier to identify the tree as a pitch pine, especially because of its habit of small patches of needles coming out of the trunk–as in the picture above.  But then the arborist said no, it was a red pine, and so I deferred to their judgment. Perhaps that is one of the lessons for me to learn–arborists don’t necessarily have intimate knowledge of all tree species. Sometimes it takes detective work, which is easier with the many resources that are available online.

So this naming is making a big difference in my relationship with the pine.  Now I understand the prickly feeling–according the guide, “Pitch pine cones have a sharp prickle at the end of each scale.”  They are prickly!  It also says, “Branches are horizontal, rigid, contorted and form an open crown.”  That describes so perfectly the irregular beauty of its shape.  “Pitch pine attains a diameter of 1–2 feet, and a height of only 30–40 feet.”  These height numbers relieve the anxiety I had about the tree possibly growing to shade our solar panels–it is likely fully mature at its current height.

What else?  It is native to eastern North America. It can live to be 200 years old. It tends to grow in acidic, sandy, and low-nutrient soils. It is a “pioneer species” and is often the first tree to vegetate a site after it has been cleared. So perhaps it speaks to the history of this land–that this land was cleared, that it was depleted. The tree can also regenerate itself–if the main trunk is cut or damaged by fire it can re-sprout using epicormic shoots, which is unusual for a conifer.  (This might make it a candidate for coppicing or pollarding–the practice of cutting a tree to use the wood, after which the tree regrows.)

According to Wikipedia, “Pitch pine provides a habitat and offers food for many wildlife species. They are used as cover and nesting for birds such as the pine warbler, wild turkey, blue jays, black-capped chickadees, black-and-white warblers, and chestnut-sided warblers. Small mammals and birds eat the seeds.”

I feel like the tree and I are starting all over again with getting to know each other–now that I know the tree’s actual family and species–now that I know its family name.

Red Pine

Red Pine[Edited: I learned 2/12/18 that this is actually a pitch pine. See my new blog post.] There is a red pine in the middle of our back yard… the only big tree (40 plus feet) that is not at the edge of the yard. But I have been struggling to create an affectionate relationship with this tree. I have had other very special trees in my life, and I loved the many trees that surrounded our home in North Yarmouth.  So why is this one hard?

I have been reading a lovely book, The Garden Awakening by Mary Reynolds, which is focused on creating a relationship with our land. She talks about trees as the guardians of the land.  So if we want to go deeper with the land, we need to go deeper with the trees.  That got me thinking again about the challenge of the red pine.

Perhaps it started when we first moved here, and were concerned about trees possibly shading the solar panels.  Or perhaps it is tied to my grief about the maple tree that was by the side of our house which we did have to take down because of dangerous branches and solar shading.  I loved that tree, and felt the contradiction so acutely: even though the maple tree was willing, and its wood became the ground layer mulch for our future orchard.  We decided that the solar panels would be okay with the pine tree’s slight shading, but it did get us off to a wary start.

So here it is.  It was identified as a red pine by an arborist who came by.  Right now, I have an intention to go deeper with this tree.  I want to understand all the dimensions of this relationship.  Some things that feel difficult to me:  The branches are all too high to reach, so it feels rather aloof.  When the pinecones drop, and there are lots of them, the ground underneath becomes difficult to walk on.  All around the tree there are old pinecones half buried in the grass from many years past.  If I could pick one word to describe my feeling of the tree, it would be “prickly.”

What helps? Last spring, we held an introduction to permaculture design course at our house, and many of the participants commented on the loveliness of the pine tree. There is a beautiful asymmetry in its branches. Their appreciation of the tree helped me to see its beauty.  The red pine is native to North America.  They can live up to 350-500 years.  Some sources said pine trees are symbols of longevity and wisdom.

Red Pine BarkOne website mentioned that its roots “are moderately deep and wide spreading. The lateral root masses also send down “sinkers” which anchor the tree very well in the soil. Red pines are very wind firm because of this dense root system.”

Okay, deep roots and anchors in the soil. I like that. I am investigating medicinal uses: one might be pine needle tea, which is good for immune function, bronchitis, and many other ailments.  More to research here.  This morning, I took pictures of the pine, and stood next to it, leaning against the bark.  What do you have to teach me, dear red pine?

 

Names & Shadows

Shadows

Ousamequin of Pokanoket, the Massasoit “great sachem” (sôgemak).  Weetamoo, also known as Namumpum, female leader/sachem (sôgeskwak) of Pocasset. Wamsutta of Pokanoket, son of Ousamequin, husband of Weetamoo. Wootonakanuske, sister of Weetamoo, wife of Metacom. Metacom also known as Philip, son of Ousamequin, husband of Wootonakanuske. Tuspaquin of Nemasket, son-in-law of Ousamequin, husband of Amie. Amie of Nemasket, daughter of Ousamequin, wife of Tuspaquin. Awashonks of Sakonnet, Conbitant, father of Weetamoo, sachem of Pocasset. Nanamocomuck, Penacook, son of Passaconaway, Penacook. (Wampanoags)

I have been reading Our Beloved Kin: A New History of King Philip’s War, by Lisa Brooks. It is an amazing narrative, in which she goes back to original documents and source material, combined with local Indigenous knowledge to reexamine the stories of the New England colonies and the Indigenous peoples during the later 1600s, particularly the unfolding of hostilities that came to be known as King Philip’s War.

Reading this book has unlocked a deeper process of decolonizing my mind. What I have been most struck by are the individual stories, the actual names of individual people and the places in which they lived, planted, fished, traveled, escaped, returned.  How they were related and how they negotiated and were ambassadors on behalf of their relatives. How they adapted and resisted and strategized. Their names and their stories.

Warrabitta (female leader) of Owaskoag. Skitterygusset, her brother. Sagawetton, her brother, who lived with his wife on the Saco River.  (Wabanaki leaders around Casco Bay).  Canonicus, Miantonomo, sachems, Quaiapin of Woossowenbiskw, female sachem. Mixxano her husband, Scuttup and Quequegunent, her sons. Ninigret, her brother, leader of Niantic. Cojonoquant, cousin of Mixxano. (Narragansett leaders). James Printer, or Wawaus, a Nipmuc scholar from Hassanamesit.

Brooks brings to light people who had been hidden in the narratives told by the English settlers, people who had been hidden in the shadows as “Native people in the wilderness who were conquered by the English settlers.”  But–of course–they had names.  They had towns and regions and farms. They had families, with names.  Our Beloved Kin is a dense and long book (346 pages not counting the notes), slow reading, ultimately devastating because of the betrayals of the colonists which we anticipate throughout. But even the betrayals are identified specifically to people with names, betrayed by other people with names. I have only listed a few of the hundreds of people she identifies.

Because I speak English, I have had to say “female leader” in these lists to note that in fact there were female leaders. Among the Indigenous peoples of this region, the words for Sachem, or leader, were gendered, (sôgemak) (sôgeskwak) but to have a female leader was no more unusual than to have a male leader.  Just thought I should note that.

There is no way to convey here the immensity of what Lisa Brooks brings from out of the shadows into the light. I imagine that a lot of people won’t try to navigate this exposition. But if you care about our relationship to this land, and to the people of this land, it is mind-blowing.

 

Moon rhythms

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On my walk this morning I saw this lovely waning half moon, and remembered a conversation after our Candlemas ritual.  Most people have no idea how the cycles of the moon work.  We don’t learn about it in school.  Years ago, when I was in my twenties, I was curious about why I saw the moon sometimes in the evening and sometimes in the morning with different degrees of light and shade.  So I investigated. (This was before Google–how did I do that?)  I learned that the moon follows a consistent and lovely rhythm. I talk about it in my book Finding Our Way Home.

The moon is always half in light and half in darkness from the light of the sun. When the moon is full, we are seeing the whole of its light side, because the sun and moon are on opposite sides of our sky. The full moon rises at sunset and stays in the sky all night, setting at sunrise. Then, as the days go by, we see less of the light of the moon and more of its shadow, and it rises about fifty minutes later each day, until there is only a waning crescent in the morning just before and after dawn. About two weeks after the full moon, the moon rises unseen with the sun and sets invisibly with the sun. The night is dark. This is called the dark moon or the new moon. Then a day or two later, a thin waxing crescent appears in the western sky just after sunset and sets soon after. Each day it is seen in the evening for a little longer time until we come round to full moon again.

What is sad and funny to me is when fiction writers misplace the moon–for example most recently, I read a line something like this one: “I saw the waxing gibbous moon in the morning light.”  The thing is, no one will ever see a waxing moon in the morning light.  Waxing moons are only seen in the evening.  Am I a nature snob if I want the moon to be accurately represented in fiction?  The actual realities of the moon’s cycles are beautiful and magical–like a cosmic dance, which it accurately is.  Here is a rather fuzzy photo of a waxing moon, taken about 8 p.m. in April several years ago.

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Winter Trees

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I got off to a slow start today, and waited until afternoon to take a walk, after the sun came out.  The bright light and shadows were playing over the cherry trees we planted last spring.  (Further back are the stakes around the raspberries.) I feel such protective tenderness toward these trees.  They are so little still.  There is no way to tell how they are surviving the ups and downs of winter.  We’ve had long bitter freezes, thaws, ice, snow storms… but so far, no deer nibbling.  Sleep well little ones! Another storm is on the way for tomorrow.

Sky Portal

sky puddle

Doesn’t it look like if I were to step across that threshold I might fall into the sky? The thaw of last night has opened up all sorts of cracks in the fabric of space/time.  Meanwhile, I am walking in the morning, paying attention to beauty.  Our congregation is doing a February activity called Fun-a-Day, in which participants choose an activity to do each day that gives them joy. I think mine is this walking with a camera, noticing the beauty that I otherwise might miss. What would yours be?  Feel free to join in!

Finding Inner Wisdom

Woodstove Fire

Wood stove Fire-Photo by Margy Dowzer

During our ritual celebration yesterday evening for Imbolc/Groundhog Day, we scryed with the magic of the fire in our wood stove.  Scrying is a form of seeking wisdom, by gazing into some sort of medium–such as a crystal ball, tea leaves, a bowl of water, a candle flame.  It gets a bad rap on Wikipedia as “unscientific.”  But as one person mentioned last night, while meditation may sometimes be difficult, there is something about quietly staring into a fire with each other that brings one to a state of stillness within.

When we find that stillness, we have access to our own deeper wisdom, and the wisdom of the deeper mystery. Some people see images in the fire. Others notice whatever thoughts or feelings emerge in the stillness of gazing.

Here is what I noticed on the way to the wisdom in me:  First of all, a sense of deep weariness.  Then, a desire to stop doing so much out there in the world, to pay attention to what is happening within.  Then, a feeling of how difficult it is to say no to invitations to activism on issues that are important.  There is so much hard stuff in our world right now, and so many good people are responding.  How do I know when I should be taking action, and when I should be in stillness?

Then, a fear that if I choose to say no, I will disappoint people, lose their love and acceptance. Then, a realization that that motivation, that fear, is not a source of wisdom, but rather a wound that needs healing.  I sat with the fear for a while, gazing still into the fire, opening my heart to the healing energies of the mystery.  We were celebrating Brigid after all, who is a Celtic goddess of healing. We had brought into the circle a small bottle of water from one of Brigid’s wells in Ireland, and I anointed my forehead and heart and hands with some of that water.

Deeper still, I realized that I am in the midst of a profound change.  I am shifting from one identity, one chapter of my life–as the minister of the Allen Avenue Unitarian Universalist Church, to another identity, another chapter–as yet unknown.  What I most desire is something like a cocoon in which to make that transformation, just as the caterpillar encloses itself for its transition to the butterfly.

This “enclosing myself” is not the same as doing nothing at all.  There are activities that directly relate to this transition–processes of ending, closing down, completing the work. I notice how hard it is to turn my attention away from the usual activities of my current/former self, to pay attention to the transition.  And in understanding this, I realize that I have to be courageous enough to say no to some good and important activities and activism. I have to say no, so that I can be courageous enough to say yes to the transformation.

Groundhog Day

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We’ve made it half-way to the Spring Equinox–Groundhog Day, Candlemas, Imbolc according to the Celts… Whatever we call it, I have always liked this festival. Even the birds seem to know that something is up.  On my walks the last couple days, they have been singing so that I notice it.  The height of the sun? The change in the light?  Even though it’s been cold, and today snow was covering everything, they sing.

Today, in my neighborhood, the groundhog would not have seen his shadow–so that means that spring will come early.  But in fact, groundhogs are still in hibernation here, and since technically, it will still be six weeks until spring no matter what, I don’t actually count on the groundhog to confirm the weather.  But this day still awakens the hope that winter won’t last forever.

I was happy to learn that the Groundhog Day tradition comes from Americans with German ancestry–since that is part of my own heritage.  Back in German-speaking lands, it was instead a badger, and originally a bear, whose emergence would predict the weather on Candlemas Day.  Candlemas was a Catholic feast, but was retained even after Protestant Reforms, likely because it was an even earlier pagan feast that had been Christianized. There are sayings in English, French, and Latin as well that correspond to the myth: “If Candlemas is fair and clear, there’ll be two winters in the year.” This attests to its antiquity as a European tradition.

Imbolc is the feast of Brigid, the goddess of smithcraft, poetry, and healing.  When Margy and I visited Ireland, we visited more than one Brigid’s well where the waters are known for their healing properties.  But I also think of this festival as a celebration of fire–fire is the key component of welding and smithcraft, and it is also a symbol of creativity–the inner fire that inspires poetry and art and music.  It is the fire which inspires social change, transformation, and healing.

Years ago, this came together for me in the poem by Cherrie Moraga, “The Welder,” in the book, This Bridge Called My Back: Writings by Radical Women of Color.  It concludes with these lines:

I am now
coming up for air.
Yes, I am
picking up the torch.

I am the welder.
I understand the capacity of heat
to change the shape of things.
I am suited to work
within the realm of sparks
out of control.

I am the welder.
I am taking the power
into my own hands.

Thank you Cherrie Moraga!  And thank you to the singing birds!  Thank you dear neighborhood groundhog for not eating my kale last summer!  And to all of you reading this, may your day be filled with creativity and healing.